There is a version of me that only used to exist in my grandmother’s house. She didn’t know that, of course, but she had met a girl who spoke a little slower, laughed more freely, and didn’t once check her phone at the dinner table. That girl ate two extra rotis without guilt and sat with her legs folded under her on the sofa and didn’t feel even a little bit embarrassed about it. She was softer. She was somehow younger and more herself at the same time. I don’t know where she used to go when I left.
I’ve been thinking about this for a while now, the way places pull different people out of us. Not fake people, that’s the thing I want to be clear about. Not performances or masks or the kind of code-switching that you do because you have to. I mean something quieter and more involuntary than that. The way a city you love makes you walk differently. The way a room you grew up in makes you feel like your own problems have temporarily lost your address.
There is a version of me that lives in Jaipur and she is more serious, more efficient, more clipped. She knows exactly what she wants from a day. She has tabs open that she will actually use. There is another version that exists only on long train rides, who reads for four hours straight and doesn’t feel even a little bit guilty about not being productive, because what could be more productive than this, the whole city moving past outside the window and a book in your lap and nowhere you have to be for the next seven hours.
The interesting part is not that we change. Of course we change. The interesting part is that every single version feels completely real when you’re in it. You don’t feel like you’re pretending. You feel, if anything, more settled than usual. Like the place has made room for a part of you that was waiting for exactly that kind of permission.
I think some places give us permission. That’s the best way I can put it. My grandmother’s house gave me the permission to be unhurried. A train gives me permission to disappear. A city I visited once gave me permission to be curious in a way I rarely let myself be at home, where everyone already knows what kind of person I am and I have to keep being that.
That last one is the part that gets to me most honestly. At home, wherever home is, you are already known. People have already decided, with a lot of love and some amount of wrong assumption, who you are. And it is not that they are entirely wrong. It is just that you have expanded since they last checked and nobody has updated the file. So you walk around being slightly edited, slightly abbreviated, slightly smaller than what you actually are now. And then you go somewhere new and there is no file. You get to just be whatever you currently are. The whole thing. Unreviewed.
I wonder sometimes if that’s part of why travel feels so good even when the trip itself is objectively average. It’s not always the food or the view or the novelty. It’s the temporary suspension of your own reputation. You get to be interested in things without explaining why. You get to be quiet or loud or completely random without anyone reading it as something about your character. The place doesn’t have a theory about you yet.
And then there are places that know too much and still love you and those are somehow the most powerful of all. Because those places don’t give you freedom through anonymity. They give you freedom through acceptance. Which is a different thing entirely and honestly a rarer one.
I don’t think we ever become entirely different people in different places. I think we become specific parts of ourselves. Each place draws out something that was already there, something that just needed the right kind of light or noise or silence to finally surface. Some places bring out the version of you that knows how to rest. Some bring out the version that’s a little bit brave. Some bring out the version that misses people, deeply and without warning, in the middle of an ordinary afternoon.
What I’ve started believing is that all of these are real. The girl at her grandmother’s house was real. The person on the train is real. The edited, efficient, serious version at her desk is also real. None of them cancel the others out. They are all just different rooms inside the same person, and the places we go are just the keys.
I think that’s a kind thing to know about yourself.
That you are more than one thing.
*****
From my mind to this page to your screen— thanks for being here.
~ Devika